79,897 research outputs found

    “Passages” Mural on College Union Building

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    The mural “Passages” in the back of the Ballroom in the College Union Building may seem to be another painting on the wall to add to the décor of the room, but it can be found to be a case of “history in plain sight.” The mural depicts the history of Gettysburg College through the art work of Ellen Elmes on four separate panels. But the mural is more than a visual reminder of Gettysburg College’s past. It was donated by Luther Ritter, Class of 1933, and as such is a reminder of all the great Alumni who have passed through Gettysburg College. [excerpt] Course Information: Course Title: HIST 300: Historical Method Academic Term: Fall 2006 Course Instructor: Dr. Michael J. Birkner \u2772 Hidden in Plain Sight is a collection of student papers on objects that are hidden in plain sight around the Gettysburg College campus. Topics range from the Glatfelter Hall gargoyles to the statue of Eisenhower and from historical markers to athletic accomplishments. You can download the paper in pdf format and click View Photo to see the image in greater detail.https://cupola.gettysburg.edu/hiddenpapers/1024/thumbnail.jp

    Cloning, Genetic Engineering, and the Limits of Procreative Liberty

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    Justice and Gender in Ministry: Debating Women\u27s Ordination

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    Much has been written on the question of ordaining women in the Roman Catholic Church. Catholic scholars of all stripes have debated issues such as the biblical sources for a theology of ordination; the relationship between sacramental and non-sacramental ministries; the limits of papal authority and the development of doctrine; and, more recently, the relationship between the elevation of an all-male, celibate clergy and the failure of Catholic bishops to address reported sexual abuse by priests. This essay focuses on the ethical implications of barring women from the priesthood. Although my references are to Catholic or Christian practices primarily, I explore two issues which have the potential to cut across denominational or creedal lines: the morality of sex-specific roles and the symbolic character of ordination

    Decoding the Sphinx-Like Silence : State Residency, Petition Circulation, and the First Amendment

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    State governments are the primary regulators of elections and ballot access in the United States. State statutes determine who is eligible to be on the ballot in each particular state, as well as who may assist these individuals by gathering petition signatures. Candidates for political office, initiative proponents, and their supporters have challenged some of these restrictions as unconstitutional burdens on political speech. The U.S. Supreme Court has had great difficulty in articulating a coherent standard of review in this area of the law, which shows that the line between a state’s reasonable regulation of the election process and an unconstitutional burden on First Amendment rights is not easy to define. One particular area where this issue has come into focus is state laws requiring petition circulators to be state residents or, alternatively, eligible to vote in the state. The majority of circuits have declared these restrictions unconstitutional burdens on political speech, while one circuit has found them a reasonable regulation of a state’s electoral process. This Note explores the history and context of the Supreme Court’s struggle to establish a consistent standard of review in ballot-access cases before examining the nuances of the constitutionality of both residency and voter eligibility requirements. This Note ultimately argues that the minority view is the more correct reading of Supreme Court precedent and that residency requirements are generally reasonable state regulations of elections, while voter eligibility requirements are unconstitutional violations of the First Amendment

    Fugue in A Minor

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    Fugue in A Minor was composed during the Fall 2011 section of Counterpoint and Composition offered at the Sunderman Conservatory of Music at Gettysburg College. The piece is composed in the style of J. S. Bach\u27s fugues in his famous collection of solo keyboard music called The Well-Tempered Clavier. Fugue in A Minor is a four part fugue, featuring a traditional exposition, followed by a development section including sequences and fugue subject entries, and concluding with a recapitulation of the initial fugue material and a coda

    Do I Dare Disturb the Universe?

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    This memoir investigates the roots of my core anxiety, the incessant but impossible ability to achieve perfection. It is framed by my experience getting a second tattoo, which is a line from T.S. Eliot\u27s modernist poem, The Love Song of J. Alfred Prufrock, and ties together both my internal struggle and my affinity for physical pain. This memoir draws a line between the past and the present, seeking to find a connection between struggling with anxiety and engaging in self-mutilation as a source of relief

    The Big Lebowski: The Dude’s Lessons in Law and Leadership for Military and National Security Attorneys

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    The Big Lebowski is a cultural phenomenon that has prompted academic research into the nature of cult cinema, provided fodder for a host of law review quotes, and motivated a tradition of fan festivals and midnight screenings. However, most viewers do not realize that The Big Lebowski also serves as an engaging training tool for military and national security attorneys. Disguised as an impish play on film noir and hard-boiled detective fiction, The Big Lebowski’s unpretentious treatment of delicate topics contains poignant lessons for military and national security attorneys that include: (1) the risks facing national security attorneys when they lose focus on their professional and moral responsibilities, (2) the unexpected ways military attorneys should expect to encounter mental health concerns and post-traumatic stress disorder (PTSD), (3) the importance of values and how they impact the success of a national security legal office, and (4) the role of the attorney in military operations. Military and national security attorneys who adopt the lessons of The Big Lebowski will be better lawyers and leaders
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